Lured by the promise of an hour of female teen 00’s references, plenty from that vintage are in attendance and ready for a Delta singalong. Ruby Johnston’s solo fringe debut could have easily slipped down into an exclusive and silly ‘in-joke’ show but – miraculously for the era and subject matter represented – it floats…

Perth-based writer Liz Newell cites Taylor Mac in their program notes: “I’m not a teacher; I’m a reminder. I’m just trying to remind you of things you’ve dismissed, forgotten, or buried.” Alone Outside is certainly not an educational or politicised experience; there is immediate warmth and inclusivity in the tale of a city woman’s country…

A decent performance, pitched squarely at younger audiences; though, with enough ham to appeal to all ages, it’s a one-woman show that tells one of the most fabled fairy tales -The Pied Piper. Writer and performer, Hanna Marouchka, displays  a kind of innate joy, and this emanates  from her throughout this performance; her hyper-real and…

As we enter the space to take our seats, I can make out four bodies arranged among large sculptures, adorned with string that is woven into patterns, nature, and cultural prints and cloths that open up portals into another realm of being. Blue light drapes over the stage as Lay the Mystic comes forth to address audiences with an acknowledgement of the tangatawhenua//First Peoples of the land we are gathered upon. A…

SPIN is a dance party created by contemporary dancer Anna Seymour and offers an immersive experience combining the visual and tactile elements of DJ music, visual installation and dance performance. However, SPIN is no ordinary dance party. Your hosts are Deaf, and invite you to challenge your understanding of how dance and music can be…

These stories shared are raw, honest and  just about every other cliche you could throw at them, but, as with cliches, they  are only truths which we all relate to. This performance talks about the awkwardness of our youth,  of growing up and feeling out of place, while it also eloquently dips its toes into…

I acknowledge the traditional and rightful custodians of the land on which I stand, live and work, the Boon Wurrung and Wurundjeri peoples of the Eastern Kulin Nation. I pay my respects to their elders – past, present and emerging. I acknowledge the ongoing legacy of sacred storytelling, ceremony, ritual and performance which has blessed…