TOO READY MIRROR

Split between past, present and future realities, Too Ready Mirror is an incredible feat of theatrical wonderment. This complex work draws upon cross generational dualities, making for an unflinching and…

THE INDIVIDUAL TABOO

  As Spring Racing carnival is just about upon us, the search begins for the perfect race day look, whether for a classic look in black and white for Oaks Day, something…

DANCE WITH ME

  Dance in all its fluidity bridges divides and can communicate effortless without words. With the Australian dance community continually moving to embrace new trends and new faces, 2017 has…

BLACK RIDER

Black Rider: The Casting of the Magic Bullets is transportive, magical and dark. The words written by none other than Tom Waits make for an already sumptuous affair. Everything that…

BLOW OUT THE CANDLES

The Guerrilla Museum presented their seminal work Funeral as part of Melbourne Festival in 2016. One year on, they are ready with their latest offering, All Of My Friends Were There. Where Funeral  celebrated life…

MUMMY

Sexy, politically incorrect and not at all affected by osteoporosis, Brianna Williams is Mummy Num Nums, faded star and arch nemesis of Bette Midler, desperate to hold on to her…

DESPERATE MEASURES

For two days of Melbourne Festival in 2017, Arts House will be repurposed as an urban survival camp, with top members of Australia’s battle-hardened arts community passing on the secret…

CIRQUE NOCTURNE

Fishnets, fire, aerial and acrobatics are all wrapped up in this glamorously entertaining murder mystery presented by Adelaide’s cabaret group Cirque Nocturne. Dressed in uniforms of black and sequins, the…

ONE SELF

  ONEself is an altogether experimental and exciting dance work that personifies exactly what Fringe Festivals around the world should stand for; that is, creating a platform for new artists…

JACK RILEY CONTACT

It’s infinitely pleasing to come across such an intelligent and well thought through performance so early in Fringe, though for whoever comes next, Contact has left the bar impossibly high. It’s tightly…