Taking four years to complete the writings which would become Watt, this adaption of Samuel Beckett’s piece is in stark contrast to such stretching time; it is instead condensed into a…
LEXICON
Circus began as very specific entertainment. 250 years later, the genre has been taken apart, stripped and stretched to the edge, and will undoubtedly keep moving as society dictates. NoFit…
ASUNA / 100 KEYBOARDS
Since the late 1990s Asuna has created experimental sound works that vault genre divides, crossing from hip-hop to hardcore punk to freak folk noise and low-fi pop. Asuna’s landmark work…
TRUSTEES
We enter the space, stripped of its usual seating bank; we are instead asked to look inward, at each other, as the space is now set in the round. How…
DANIEL JAUREGUI
As the Boite World Music gathers us once again in celebration the world, diversity and the bridging of divide and community through song, this world music open mic session is…
COLOSSUS
The Art Centre has never looked so young, the theatre brimming with fresh faced excitement, on stage are 50 dancers, laid out in a circular formation; this is dance of…
ELMO
Fringe this year has opted for a rating system describing where each show fits in the “comfort zone.” An interesting concept, though perhaps there is one generic comfort zone, and…
THERE / HERE
Two actors re-performing a show from ten years ago, in the same room, under the same direction, is enough to excite interest. Marcel Dorney, Emily Tomlins and Angus Grant reunite…
CHURCH OF OYSTER
Performer poet Caramelsauce Mel cordially welcomes the audience into a tactile tour of the space, we feel the latex and the drum: a gentle warm-up to a show that is…
